About
My practice investigates domestic space as an active system that constructs, disciplines, and preserves ideals of femininity. Working across oil painting, antique found objects, and hand-drawn wallpaper, I use domestic materials as both subject and structure—framing devices that conceal, contain, and regulate the body. Figures, often intertwined with birds and ornamental patterns, dissolve into their interiors through repetition, layering, and material fragmentation, suggesting how identity is shaped through cycles of care, ritual, and expectation. Drawing from feminist histories and the visual language of domestic architecture, I examine how the home operates as both a physical and ideological framework that naturalizes roles such as the mother, homemaker, and caretaker. My work approaches domesticity not as a static condition, but as an ongoing process of domestication—one that merges bodies with space while quietly enforcing boundaries between visibility and concealment, intimacy and control. Through subtle spatial tensions and gestures of transparency and enclosure, I aim to reveal and unsettle the inherited structures embedded within the domestic sphere.